Changes

I have never been much for change.  I feel comfortable adhering to set patterns.

Ah, the change that can come from a minute or a mile!

Last week my blogging was cheerfully concerned with David Bowie, who was in the news for the release of his latest album Blackstar to coincide with his birthday last Friday.  The two new videos from Blackstar were mesmerizingly cryptic.  The visuals were lavishly stunning and the words were enigmatically endearing.   These elements were found in all of Bowie’s output and is a great part of my attraction to his work.  His imagination was drawn to the otherworldly outcast.  He was creating what fueled my dreams.

Before the excitement of Blackstar’s release had time to fade, a fresh wave of Bowie emotion surged to the forefront of the news.  Bowie had died before weekend’s wane.

Apparently the musical genius had been suffering from cancer.  He shared so many roles with the world via his music – Ziggy Stardust, Aladdin Sane, etc. – but his role as cancer fighter he played out privately.

Released videos from Blackstar have been scrutinized for farewell clues.  With an artist as intellectual and vibrant as Bowie, a multitude of clues can be found or imagined.

I’ve read a lot about Bowie and watched/listened eagerly to everything of his I could.  Articles and more about him have stoked the media over the last few days.  I have no greater knowledge about him to share, other then to express my personal adoration of his work.  I thought he was wonderfully bizarre as the title character in The Man Who Fell to Earth.  I loved the futuristic noir styling Bowie incorporated into his 90’s album Outside.  Outside and Diamond Dogs (which began life as a musical version of George Orwell’s 1984) played with paranoia and dark visions of a futuristic society.  This and other elements of Bowie’s charisma remind me of another of the icons I adore – Patrick McGoohan.

Patrick McGoohan’s probably most famous for his work as star of The Prisoner, a 60’s series he also worked behind the scenes to bring to life.  The program revolved around a secret agent who found himself mysteriously transported to an enigmatic village at an unknown locale.  The Prisoner has the edge of Kafka as it dealt with the manifestations of government, education and more upon the life of citizens.

There are some cool connections I can stretch between McGoohan and Bowie.  Patrick McGoohan played a spy using the name David Jones in the film Ice Station Zebra and David Bowie was born with the name David Jones.  Both Bowie and McGoohan died in the month of January.  Both Patrick McGoohan and David Bowie are at the top of my list of favorite artists.

Artists have always been my heroes.  How appropriate that one of Bowie’s songs is called Heroes.  And then there’s also that early hit of Bowie’s called changes that is always due a new listening.