Iconic TV Duos

As stated in my previous blog, I've been greatly enjoying the return of The X Files.  The new scripts have kept the same interesting mix of suspense, sarcasm, horror and humor.  And its leads are as charismatic together as ever.  Their banter and individual reactions to a fantastic crisis are still spot on.  Gillian Anderson's Dana Scully seeks the rational explanation that science can support while David Duchovny's Fox Mulder wants truth no matter the cost.  In honor of the return of this alluring duo, I thought I might list some of my favorite personal favorites from television's iconic duos.

John Steed & Emma Peel of THE AVENGERS - Perhaps I am out of date, but when The Avengers are mentioned, I think of elegant British secret agents instead of Marvel super heroes.  Patrick Macnee played suave super spy John Steed throughout the long run of The Avengers TV show.  Its episodes evolved from black and white to color while its tone shifted from dramatic espionage capers to more bizarre exploits required in saving the world from madmen.  While John Steed remained on duty throughout the run, his line up of partners changed, originally starting with a male doctor before adding female heroes to the mix.  Airing in the 60's, the show was groundbreaking in allowing its women to stand toe to toe with Steed in the action scenes.  Each new comrade in action brought a special vibe to the series.  The most popular pairing was John Steed with Emma Peel (Diana Rigg), talented amateur adventurer with a penchant for high kicks.  The show can easily be seen as a forerunner of The X Files with its male and female leads as well as fantastic menaces. 

U.N.C.L.E.'s  Robert Vaughn & I.

Napoleon Solo & Illya Kuryakin of THE MAN FROM U.N.CL.E. - While John Steed & Emma Peel were busy in the service of safe guarding Her Majesty's realm, a number of similarly unique spy pairs were in action in the states.  Napoleon Solo and Illya Kuryakin worked for U.N.C.L.E. to safeguard the world from madmen of various specialties, often employed by the criminal organization called T.H.R.U.S.H..  Like The Avengers, The Man From U.N.C.L.E. began its run in black and white before switching to color.  Its adventures also grew more outlandish.  Interestingly, Robert Vaughn's confident character of Solo really wasn't into a partnership at the start of the series, but the appeal with viewers of the quiet and intense Illya Kuryakin (David McCallum) meant a slight change to the format's focus.  The two agents sparkled together in scenes of action or interplay, but quite often they did find themselves functioning separately on the same case.

Batman & Robin of BATMAN - It would be impossible not to mention the 'official' dynamic duo in such a list!  Batman and Robin were conceived by Bob Kane and had a multitude of adventures for decades in the pages of comic books before taking the leap to the television screen in the 60's without leaving much of its colorful trappings behind.  The television version in fact was a lighter version of Gotham City's grim detective.  The show heartily indulged in humor as Batman and Robin donned masked costumes to fight bizarre criminals.  Not much psychology went into the relationship of a millionaire seeking vengeance for his murdered family alongside his youthful ward, but Adam West and Burt Ward brought a straight laced heroism to their characters in or out of costume.

James T. Kirk & Spock of STAR TREK - Captain Kirk and Mr. Spock of The Enterprise were efficient explorers of space, the final frontier.  Kirk (William Shatner) was human and prone to lead with instinct.  Spock (Leonard Nimoy) was a pointy eared Vulcan, an emotionless adherent to logic.  Interestingly, this mix can sort of be seen in the clash between Scully's scientific rational and Mulder's urge to uncover the unknowable.  And so we come full circle with TV's iconic duos. 

Open Channel D - And Happy Birthday

     Today is the 83rd birthday of Robert Vaughn. 
     Vaughn is a legendary actor of diverse talents who has brought charisma and a sense of gravity to every role.  His resume includes cult films such as Roger Corman's Teenage Caveman (in which Vaughn was the title character in a jungle that appeared rather flimsy) and Hollywood prestige pictures like The Young Philadelphians for which the acclaim the actor achieved resulted in an Oscar nomination.  Vaughn often found himself working alongside tinsel town's top talent and never failed to hold his own or outshine them.  Along with Steve McQueen and Charles Bronson, he was part of the line up of current or impending mega stars that reinterpreted Akira Kurosawa's Seven Samurai for American audiences in the form of The Magnificent Seven. Vaughn portrayed a cold hearted gunslinger who carried out his work without a twinge of feeling - although such actions would seem to haunt him. 
     Humble in stardom, Vaughn seemed happy to give audiences what they wanted and returned to this famous character type to play an interstellar mercenary in Roger Corman's low budget outer space adventure Battle Beyond The Stars which I recently viewed and found just as exciting as when I was a kid. Robert Vaughn also directly revisited The Magnificent Seven's recent TV version as a judge.  I met one of that show's stars, Dale Midkiff who spoke of Vaughn's appearance with respect.
     Robert Vaughn occasionally appears at conventions.  I've been lucky enough to see him twice.  Both time I've been impressed by his intelligent demeanor.  At The Dean Martin Expo in New York City he gave an intriguing Q&A in which along with tales from his career he discussed differences between British and American TV.  Vaughn could certainly be an expert on the subject. 
     Thanks to the success of James Bond in the movies, 60's television was dominated by spies.  Other British spies included Patrick McGoohan's John Drake who was a no nonsense agent, uninterested in frivolous activities or guns as he tried to keep the world safe and Patrick Macnee's John Steed who sported a bowler and was armed with an umbrella as he teamed with a series of lethal lovelies to fend off enemy agents.    
     Robert Vaughn and David MCallum shot to international stardom in the TV series The Man From U.N.C.L.E..  The show offered the weekly international adventures of U.N.C.L.E. agents Napoleon Solo (Vaughn) and Illya Kuryakin (McCallum) as they fended off evil  madmen, usually in service to the sinister organization called T.H.R.U.S.H..  The series started in black and white with rather conventional tales of espionage and daring do.  In the second season the series shifted to color - and much more colorful adventures.  Solo and Kuryakin generally approached their problem separately (but not always) and generally found a civilian embroiled in the case either to be used or rescued.
     Many other TV shows such as Murder She Wrote have been favorably graced by Robert Vaughn's appearance. 
     Recently Robert Vaughn starred as Albert on the British TV series Hustle, which followed the complex plans of a group of relatively kind hearted con men.  I couldn't help but smile as I weekly watched Vaughn star in Hustle and David McCallum star in NCIS.  I guess you can't keep a good spy down!  

Robert Vaughn & I at the Dean Martin Expo - June 2014. 

The Prisoner Anniversary

The Prisoner turns 48 today.

The cult classic series had its British television premiere on September 29, 1967 and was unlike anything else contained on the small screen.  Dynamic and enigmatic, episodes revolved around such controversial themes as the manipulations of society, drug use and the rights of the individual.

The Village was the show's mysterious setting - a picturesque place where those with important information deemed too sensitive to be widely known were kept.  Who ran the Village was a secret, especially to The Prisoner's protagonist played by Patrick McGoohan.  McGoohan's work on the series stretched beyond that of actor to occasional writer and director, as well as shaping the series as a whole.  Patrick McGoohan had previously found fame on TV in the show Danger Man which imported to the United States in an incarnation known as Secret Agent.  The Prisoner had its roots in the spy craze of the 60's but was altogether a different kettle of fish.

I entered The Prisoner's fandom as a teen when that and other classic British series occupied the 11pm time slot on Maryland Public TV.  I found the adventures of The Avengers and Dr. Who quite stylish and engaging.  These British classics became my TV favorites - and The Prisoner was at the top of the list. 

Everything about The Prisoner is top notch, from the writing to the direction.   The exciting opening title music by Ron Grainer (also responsible for Dr. Who's original theme) began royally with rumbling thunder.  There was something just so magnetic about McGoohan - especially as he drove his car and strode the corridors to offer his resignation during the show's opening credits.  Patrick McGoohan's character of Number Six seemed a champion of independence and intelligence - something very appealing to me.  The Prisoner rebelled against a succession of village bureaucrats, all referred to as Number Two played weekly by (mostly) different actors.  The series introduced me to numerous great British actors like Leo McKern who menaced The Beatles in Help!. 

The Prisoner doesn't look its age - probably because the colorful fashions were evoking a style instead of an era and the setting was deliberately obscure.  The Village could have been everywhere, but its meaning and entrapments were uniquely surreal.  A large weather balloon type object called rover was the security system of the village.  When an attempt at escape was initiated the rover bounded into action, impressing itself onto its victim.  The science of the village was beyond technology.     

The Prisoner can easily be considered an ancestor of enigmatic and challenging programs such as David Lynch's Twin Peaks and J. J. Abrams' Lost. There was even a 'reboot' Prisoner mini-series from AMC with Ian McKellan as Number Two.  But for fans of the original iconic series there can be no replacing the image of Patrick McGoohan grimly guiding his car or shouting out his declaration of independence on the village's beach at the beginning of each episode.

Patrick McGoohan as Number 6 often undergoes 'treatment' in the village.

Remembering Patrick McGoohan

 

   March 19th is the anniversary of the birth of the compelling and charismatic actor, director and writer Patrick McGoohan.  Interesting he gave probably his most famous role, Number Six of The Prisoner, the same birthday.
     The Prisoner was a TV show Patrick McGoohan at least co-conceived, starred in, and wrote as well as directed various episodes of, both under his own name and pen names.  The series debuted in the 60's when the spy genre was all the rage, from Bond on the big screen to TV undertakings like The Man From U.N.C.L.E. or The Avengers.  McGoohan himself had starred as super-spy John Drake in two series, Danger Man and Secret Agent.  Allegedly, McGoohan had grown bored of the genre and wanted to do a series more cerebral and thought provoking.  The Prisoner certainly deserved the label thought provoking as well as enigmatic and bizarre, especially by standards set by 60's TV.
     The Prisoner revolved around the resignation of a spy played by McGoohan, which resulted in the character's transportation to an eigmatic village.  The village had a serene and tranquil visage, but was impossible to escape.  Populated by a sinister administration with an ever changing face of authority, McGoohan's character was always referred to as Number Six and he could never be sure who was running the village.  The show had surreal and sci-fi aspects including a balloon referred to as Rover which fetched back with uncanny ease those who attempted escape.  Issues explored in the show remain relevant today - including drug use, government influence and education vs mind control.  These themes were not so easily or ever undertaken by your average spy show, but their exploration appealed to Patrick McGoohan.  Perhaps that's why McGoohan felt such a close bond with the series that he merged himself with the role, even giving Number Six his March 19 birthday.
     Viewers could always expect the unexpected from the series.  It never settled for the simple hero-villain dynamic and many viewers were confused or disappointed by the show's 17th episode finale which failed to offer a tidy conclusion.  Yet the show was hailed by critics - one going so far as to call the series "an oasis in the vast wasteland of television."
     Patrick McGoohan will probably always best be remembered with fans as Number 6, but he had numerous roles of interest.  He played both heroes and villains.  He was memorable as both leading man and character actor.  Some other noteworthy roles include...

     Patrick McGoohan may well have first been noticed by American audiences for the lead role in Disney's 1963 version of The Scarecrow of Romney Marsh.  He portrayed Dr. Syn, a vicar by day and the masked leader of a gang of smugglers by night, who thwarted the wicked efforts of the local British officials.  The series consisted of three one hour episodes.  It was set in the British countryside and featured abundant swashbucking on McGoohan's part amid lavish sets.  And it had one catchy theme song that ended with a chilling laugh!

     Two Emmies were awarded Patrick McGoohan for his work on Columbo.  He played four different murderers, none of whom could best the determined detective in the crumpled overcoat.  McGoohan directed two of the episodes he appeared in, as well as episodes which featured Robert Vaughn and Billy Connelly.  Peter Falk (Coumbo) and McGoohan apparently had a good friendship, as McGoohan's work on the series ranged from the 70's to the dawn of the new millenium.  Falk even authored the forward for a biography about Patrick McGoohan.

     In Ice Station Zebra, Patrick McGoohan played a spy on the big screen.  At the height of the could war, McGoohan's David Jones was in a rush to ice station zebra to retreive a downed satellite with vital secret footage before the Russians could retreive it.  This film was Howard Hughes' favorite and he reportedly viewed it hundreds of times.  I had the chance to chat with actor Ron Masak, who appeared in the movie, and he confirmed the sub used to film on was authentic.   

     Perhaps McGoohan's best known recent role was in Mel Gibson's 1995 Academy Award winning Bravheart.  McGoohan played King Edward Longshanks, the nemesis of Gibson's heroic freedom fighter, Willliam Wallace.

     Patrick McGoohan died on January 13, 2009, leaving behind a plethora of great TV and film roles.


Below top -Patrick McGoohan receives treatment in The Prisoner.
Below bottom - Patrick McGoohan plays a secret agent in Ice Station Zebra with Rock Hudson.